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Director: Jon Hurwitz, Hayden Schlossberg
Starring: John Cho and Kal Penn
Release date: April 25
The good news is that Harold and Kumar are back! If you
have watched the vastly popular, ecstatically fast-paced
comedy movie Harold & Kumar Go To White Castle,
then you already know what I am talking about. Filled
with extraordinary laugh-per-minute performance specs
the sequel is as fun filled as the original. In Harold and Kumar
Escape From Guantanamo Bay, the two dudes are caught
trying to sneak a bong on board a flight to Amsterdam. In
Bush’s America it is easy to get suspected of terrorism and
then the inevitable happens.
But Harold and Kumar are not the kind of guys who will
ever make the task easy for overzealous law enforcers. They
make a bolt for it, and at the same time they try to find
ways to prove their innocence. You can imagine the rest,
which turns out to be an irreverent and epic journey of deep
thoughts, deeper inhaling and an outrageously wild trip
around the world as they try to stay one step ahead of the
equally muddled agents from the Department of Homeland
Security. Enjoy the ride! |
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| DVDs of the Month |
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You get hooked from the
opening scene where
Clive Owen jams a carrot
into a guys eye and pops
it out from the back of his
head. But that’s not all.
Owen is also shooting his
gun with one hand while
with the other hand he is
helping a pregnant mother
give birth. Impossible! Not if
you are a tough guy like Mr.
Smith – the role played by
Clive Owen in Shoot ‘Em Up.
Anyway, Smith is able to
keep the gunmen at bay
long enough to deliver the
child, but, unfortunately, the woman (Ramona Pringle)
is shot dead during the melee, leaving him in charge of
the newborn boy. He tucks the child under his arm like
a football and they take to the streets, where Smith
attempts to fathom why an army of hit men have been
dispatched to kill a newborn.
And because a hero needs a leading lady, a sultry
Italian prostitute (Monica Bellucci) bursts on the scene.
Writer/director Michael Davis is at his gleeful best as he
concocts this outrageously impish (if not unconventional),
boisterous, anti-gun action-thriller. Is there a message at
the end of Clive Owen’s gun slinging activities and endless
lactation from Monica Belluci’s ample bosom? You’ll have
to watch and find out for yourself. |
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Sequels are in vogue once again. Shrek 3, Spider-
Man 3, Pirates 3, Bourne 3 and now Rush Hour
3 that picks up where Rush Hour 2 left off. Chief
Inspector Lee (Jackie Chan) has teamed up with
L.A. cop James Carter (Chris Tucker) once again.
This time the mismatched cop duo have to guard
Ambassador Han (Tzi Ma) who is about to make
a major revelation about the Chinese triads. But
someone attempts to kill him during his presentation
and the ambassador is hospitalized. Han’s daughter
(Zhang Jinchu) reveals that her father had gathered
information that had the potential to cause extreme
damage to the vested interests being served by the
triads.
The two cops head for Paris on
the heels of Han’s mysterious
would-be assassin (Hiroyuki
Sanada) who seems to have
close ties to Lee. Brace
yourself for the usual round
of Jackie Chan’s comedy kung
fu, Chris Tucker’s wisecracks
and some adrenalin pounding
car chases. Best thing about
Rush Hour 3 is that its
plot line does not hold any
surprises. If you liked Rush
Hour 1 & 2 then you are sure
to like the third movie of the series. Few interesting
supporting players are there to bring extra bit of
fun. Max Von Sydow comes on board as a diplomat;
director Roman Polanski makes a cameo; and
French actor-director Yvan Attal plays the comic
role of a cab driver. |
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Title: Hotel Honolulu
Author: Paul Theroux
Publisher: Penguin
Pages: 431
Price: Rupees 435
"Nothing to me is so erotic as a hotel room, and therefore so
penetrated with life and death" - Starting your book with this
kind of flourish raises a certain expectation in the reader and
happily the latest book from Paul Theroux's oeuvre lives up
to it. The main protagonist is a penniless writer, his brain
blocked with the feeling of redundancy, more or less out of
business of writing, who is trying to start all over again at the
age of forty-nine. He makes it to Hawaii. He has no experience
in running a hotel, yet he gets hired as manager of
Hotel Honolulu.
Buddy Hamstra, the hotel owner, had this to say about his
previous manager, "My manager's a typical local howlie- a
retard. Fondles the help. Always cockroaching booze. Sniffs
around the guest rooms." The obvious inference of his
description is that the new manager could easily go on being
the same and Buddy wouldn't mind. But the writer is made
from rather sedate stuff - he insists on performing his duties
as manager without fondling the help, cockroaching booze or
sniffing around guest rooms.
On occasions the story takes an interesting turn, veering
as far as the murky brothels of Asia. It was in one such Asian
brothel that Pinky, a child prostitute, catches Buddy's roving
eyes. He makes her his mistress, but she wriggles her way
into becoming his wife. Buddy is given to mistreating her, not
out of spite, he is not capable of being spiteful to anyone, but
out of pure and simple malice. He torments Pinky for the
same reason for which a small boy will pull out the wings of
a butterfly. Because the butterfly is too weak to hit back!
Hotel Honolulu might as well be a microcosm of what modern
life is fast degenerating into; a way of life that celebrates
lust and debauchery as a prerequisite for healthy living. |
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Title: Graphis Nudes 4
Creative Director: B. Martin Pedersen
Pages: 224
Price: $60
The nude photographs in this 224-page book
come in many forms, some more appealing
than others, yet almost always titillating and
exciting. Superbly framed black and white,
as well as color photographs of more than
fifty emerging and established photographers
from around the world, are a feast to the eye.
The pages in the book are crafted out of
glossy heavy gauge paper and the pictures
are maximized in the space without going
edge to edge. But you should not look for any
general theme or mood or style in this book's
content. What you will find is a mix of color,
B&W, photographs done under widely different
kinds of mood lighting.
Especially eye-catching are the photographs
that create abstractions from utterly
literal rendition of the body's line or surface.
There are some that evoke the essence of a
more classical portraiture. A conventional
beauty is not the only inspiration for this
collection of photographs; rather the focus is
on defining the form, looking at the body
from a divergent angle. Bare skin predominates,
but is sometimes draped, decorated,
or complemented with other visual elements.
Unlike many collections, these photos
cover wide ranges of skin tones and
shapes of body, with nearly as many male
models as female. |
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Naked News
You consider news programs
tedious? Try www.nakednews.com, a
news program that brings nudes
where they have never been before.
The news anchors strip as they glide
you through the day's news stories,
and by the time the program is over
they are in their birthday suit. The
concept has appealed to many viewers,
more than six million people
tune into the program regularly. You
don't have to worry about the quality
of the news. The news coverage is
fabulous. Here is how a typical program
goes - A hot anchor walks into
the studio and begins reading out the
latest stories. You like her, because
she is a beauty and she has the poise
and delivery of the top anchors in any
news channel. Then she pouts suggestively
at the camera and flicks her
hair. Slowly she begins to unbutton
her shirt. As the story unfolds, so
does the news anchor. Eyes focused
on the camera she maintains a perfect
delivery, while wriggling out of a
fashionable jacket and taking her
shirt off.
The channel covers politics, business,
sport and entertainment. It
debuted in 2000 as a news service
featuring an all-female cast. The website,
popularized entirely by word of
mouth, quickly turned into an
Internet phenomenon. The employees
of this organization insist that
their channel is not about pornography;
it is about news stories and
artistic nudity. Weather presenter,
Dianne Foster, insists the news content
is important. She says, "I think
people are watching it for the news
not the nakedness." Like any self
respecting news channel, Naked
News too has a weather report, presented
with inimitable style by a professional
striptease artist who gyrates
erotically before a map of the world.
Obviously the channel aspires to serious
broadcasting. In fact, Time magazine
has said that this website,
"Offers the best international coverage
this side of the BBC." A collection
of their news programs is also available
on DVD. In addition, the DVD
provides clips of the stunning models
in outrageous comedy skits.
Price -
$24.95 |
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Indian Playboy DVD + Book
In directing his latest film, The
Indian Playboy, Richard Menon
seems to have been inspired by
rather old-fashioned idealism, in the
sense that he does not offer mere titillation,
there is a context to the sexuality
he portrays. His is a documentary
that tells you how to make an
outstanding erotic film. Yet despite
the film's theme there is no sex or
nudity in it. Of course, there is
an undercurrent of sexual zeitgeist
that is constantly flowing
alongside the narrative, but
the undercurrent never does
turn into an overt sexual
imagery. It does not need to.
Richard has a way of delivering
subtle messages; he plays with
your imagination and lets your
mind create the imagery that is
most erotic for you.
His playboy instinct is not
about sex only. It is about
appreciation of all the good
things in life, be it "wine, fine
cuisine, expensive cars/motorcycles,
yachts, fabulous houses,
watches and women."
Playing the starring role in the
film is the beautiful Monica
Powell, who enacts the role of a
magazine reporter chasing the
Indian Playboy for a story. Hers
is a very realistic portrayal of a
woman who is genuinely
intrigued by the Indian Playboy.
The cinematography by Steve
Clack is superlative. An added
attraction is the 96-page book
in PDF format that comes
embedded in the DVD. In this
book Richard answers more
than 450 questions relating to
his life, and to the idealism that
drives him in his enterprise.
The Indian Playboy trailer
has been posted on www.youtube.com, where it is
raking in some magnificent
response, having received more
than 15,000 hits in just 10
days. By all means, most of us
would never be called upon to
produce or direct an engrossing
film meant for a mature
audience. However, that
shouldn't stop us from watching
a highly engaging film that
dares to go behind the scenes
of one of the most entertaining
industries out there. The bookfilm
combo DVD is attractively
priced at $25.95 and can be
purchased from www.theindianplayboy. com
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100 Naked Girls
Photography: Peter Hegre
Publisher: Amphoto Books
Pages: 192
Price: $45
Intimate and insightful, dramatic and fun, Peter Hegre's 100 Naked Girls, is a celebration of the beauty an vitality of the fairer sex. Flip through its glossy pages and your eyes get introduced to most subtle kind of romanticism. Beautiful women placed in most authentic situation stare back at you from every page. Nude photograph is nothing new to Peter Hegre, who is ofte hailed as the master of the avant-garde nude. In his current book, Peter gets even more graphic, the counterfeit glamour of the old century is passé, and the sensuality and the beauty he portrays is real rather than ethereal.
If anything, Peter has been most meticulous in his choice of models. Every one of the hundred girls that he has photographed is beautiful enough to be the subject of a complete book all to herself. So much so that every time you flip the pages to move on to the next model, you feel a pang of guilt for having to give the last one a miss. It is almost as if the photographs from Peter's ensemble are designed only to whet your appetite and never fully satiate it. Marketa, who happens to be the cover model, sets the pattern. Like her, all the girls cast in the book are young, slender, and very lovely.
Because of the sheer number of beauties that have been cast in it, the book can be a bit overwhelming to browse at one go. So my suggestion is that don't try to rush through it. Be slow in your perusal. Savor every detail. 100 Naked Girls is meant to be relished at leisure. |
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Title: 300 - The Art of the Film
Publisher: Dark Horse
Pages: 128
Zack Snyder's graphically violent film on the historical battle between the 300 Spartans and
the huge army of Xerxes is now drawing huge audiences around the world. The main attraction in the film are the characters of King Leonidas and his band of 300 Spartans; they are so fierce that they prefer death to surrende in face of a vast army of millions. Only the greatest warriors on Earth could hold off an army of millions with only 300 men. But for Leonidas and his Spartans that sort of feat is the natural thing to achieve and they thwart the progress of an army led by the Persian invader Xerxes.
300: The Art of the Film is a book that takes you behind the scenes when the film was being made. Its pages are full of interesting insights about stratagems which the director Zack Snyder and his crew employed to make sure that their silver screen portrayal of the famous historical battle turned out to be as factual as possible. The book is well spiced with over 200 pages of production photos, concept art and well-written passages that describe how individual scenes were conceptualized and shot. The Art of the Film is a sure delight for movie buffs. |
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Light on the Yoga Sutras of Patanjali
Author - B K S Iyengar
Publisher -Harper Collinsi
Pages - 337
Price - 295
What is yoga? Is it a merely a system of improving ones health or does it subsume a whole way of life? In his book B K S Iyengar seems to be verging towards the second conclusion. He begins the preface to his book with these words, “Yoga is an art, a science and a philosophy. It touches the life of man at every level - physical, mental, and spiritual. It is a practical method for making one’s life purposeful, useful and noble.” The development of the science of yoga easily ranks amongst one of the greatest achievements of the Hindu civilization. Though not many of us are conversant of its true benefits because most of the texts on yoga are in Sanskrit.
The bulk of what we call yoga stems from pithy aphorisms first written down by the Indian sage Patanjali some eighteen hundred years ago. There was yoga even before Patanjali; we know that because there are references to the practice of yoga in the Upanishads and of course in the Bhagavad Gita. But before Patanjali’s codification there was no systematic text to guide to the way yoga was supposed to be practiced. The book under review presents a very systematic and comprehensive translation of Patanjali’s sutras on yoga. For each aphorism B K S Iyengar gives first the Sanskrit version and then the transliteration form Sanskrit to English.
The importance of the book lies in the feeling of authenticity that it can conjure in the mind of the reader. Iyengar goes to great lengths to make it possible for the reader to judge the fidelity of his translation. He breaks down each aphorism into its individual words and gives an English translation of each word. Indeed he often gives several possible English equivalents for each Sanskrit word. Then he gives his English translation of the aphorism. This is followed by his lengthy explanation of the verse. Iyengar says, “As honey is sweet from any part of the honeycomb, so is yoga.” The same can be said about his book, which is as sweet and authentic throughout.
The book itself is divided into four chapters or padas – Samadhi Pada, Sadhana Pada, Vibhuti Pada and Kaivalya Pada. The Samadhi Pada deals with issues of contemplation, the Sadhana Pada deals with the issues of practice, the Vibhuti Pada is about properties and powers, and finally the Kaivalya Pada is about emancipation and freedom. Clearly Iyengar has given more in his book than can be assimilated by most persons interested in yoga. Even the most sincere practitioners of yoga will find the Iyengar’s interpretation of Patanjali’s aphorisms on yoga daunting to imbibe and incorporate in their lives.
But while the integrity of Iyengar’s translation of Patanjali’s sutras are beyond reproach, the influence that his book may have in disseminating the theory of yoga is debatable. After all, we live in the times when televangelists of all hues rule the roost. Yoga it seems has become a big business on TV. All sorts of saffron clad yoga gurus are ruling the airwaves and are busy proclaiming themselves as the last word on yoga. Where does that leave a genuine yoga practitioner like Iyengar? To be candid, these fly by night yoga practitioners we see on TV are likely to outdo Iyengar in popularity with their slickly packaged juvenile interpretation of yoga.
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Title - Women are from Bras, Men are from Penus
Author - Anna Collins, Elliot Sullivan
Publisher - Srishti
Pages - 114
Price - 95
If the information age has already dawned, then why do we have such a surfeit of self-help books in the market? Does that question sound like an oxymoron to you? It does to me. After all in an information age society, people are expected to be so well informed that they can hardly feel the need of any self help book; all they need is a computer with a Internet connection. Voila! Let the high priests of Google answer every query that arises.
Sadly though life isn't that simple. All the issues, and the conundrums that may plague any typical human life can ever be reduced to a click of the mouse on the Google screen. There will always be some issues that need mature solutions of the kind that can only be garnered through personal experience. But people no longer have the time to go through the rigmarole of experience. They want instant answers. Well, then they have to live life second hand.
That is what the genera of self-help books are all about? They provide you with the luxury of living life second hand. You don't have to go through a welter of relationships in order to find out what the opposite sex is all about. You can choose the easy of option of lounging in your living room and flicking through the pages of any self-help book on the subject. The book under review for example, offers some interesting insights on what makes the sexes tick.
Don't read this book if it is political correctness in the matter of relationships that you are looking for. For it is the politically incorrect bits of information that Women are from Bras, Men are from Penus, comes loaded with. Written by Anna Collins and Elliot Sullivan, this book claims to be a survival guide for bypassing communication and getting even in your relationships. Looks like many have been baited by the highfalutin claims; the book has notched the cult status of a New York Times bestseller.
The book begins with these humorous but incisive words, "Not that long ago in a galaxy not that far away, lived two opposite civilizations. One lived on the planet Bras and the other on the planet Penus. Little did they know they were headed on a collision course for each other. Everybody was doomed to disaster except the planets' lawyers who, through personal injury lawsuits, financed their escape while all their clients went straight to hell."
The whole idea behind the book is that men and women develop differently, yet they are meant for each other. And the only way they can fruitfully come together is by boldly acknowledging their differences and molding their lives accordingly. On that note here is another great line from this book, "Men will never understand women and women will never understand men - and that is the one thing that men and women will never understand." Have you understood your spouse yet, or are you guys still living on different planets?
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Title - The Second Time Around
Author - Mary Higgins Clark
Publisher - Simon & Schuster
Pages - 302
Price - Rs 350
The story revolves around a spate of murders but a perfectly sanitized prose from Mary Higgins Clark goes a long way in exorcising the narrative of all traces of blood and gore luridness. But that should come as no surprise; gentleness is after all a characteristic of all Mary Higgins Clark novels. The Second Time Around is a book about high stakes rivalry in a blue chip US Corporation called Gen-Stone that is involved in researching for a cure for cancer. The trouble begins when a private plane carrying Nicholas Spencer, the President and CEO of the company, crashes on its way to San Juan. There are no survivors.
Soon after the announcement of Nicholas's death it comes to light that there had been numerous setbacks in the experiments with Gen-Stone's cancer vaccine and that the drug could not be submitted to the FDA for approval in the foreseeable future. Most chilling is the news story that tens of millions of dollars had been looted from the company, apparently by Nicholas Spencer. Thousands of stockholders who had invested their lives savings in Gen Stone saw their investments turn to zilch and since Spencer's body was never recovered many started believing that he had orchestrated his own death and that he was cavorting on a beach in some country with no extradition laws.
The story is told partly from the third-person perspective of the killer, and partly from the first-person point of view of a Wall Street Weekly correspondent Carley De Carlo, who has been assigned to do an article on the life and death of Nicholas Spencer. As Carely De Carlo digs deeper into the affairs of Gen Stone and that of Nicholas Spencer, she starts uncovering a series of startling clues that point to a conspiracy of mounting greed and savage vengeance. As she follows many loose ends she is struck by the possibility that the cancer cure could have worked after all. But she soon realizes that her relentless pursuit of truth might have put her life into danger.
Even in a suspense novel it is just not Mary Higgins's style to keep too many secrets from the reader. So you don't have to wait til the last page to find out what is the truth behind Nicholas Spencer's death. Most readers will be able to guess the ending by the time they have finished reading half the book. There is no adrenalin pumping anxiety flowing from the pages of this novel, the narrative is rather staid, but the chapters are remarkably small, all of which makes for an easy reading. The Second Time Around is Mary Higgins Clark's twenty-seventh novel, so most of her readers already know what to expect. No surprises out here for the 27th time around!
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Title - Delhi - A Thousand Years of Building
Author - Lucy Peck
Publisher - Roli
Pages - 308
Over the last ten years or so the transformation that Delhi has
undergone is simply amazing. From all over the world people throng to
Delhi for fashion shows, celebrity book launches, painting exhibitions
and exposes on traditional arts. Aficionados of Indian culture know
this is the best place to catch the true taste of India, be it in
dance, music, theatre, or in cuisine. The old and the new merge
effortlessly in Delhi, swanky shopping malls lie juxtaposed to old
style eateries, bars and multiplex cinemas keep popping up everywhere.
Residential complexes come jazzed up with all sorts of amenities.
Excellent infrastructure in form of world-class roads served by a
multitude of over bridges that make driving itself a pleasure rather
than a chore, a jazzy new airport that should be ready anytime soon, a
rash of new restaurants where cuisine from all over the world is
served, all this go on to herald Delhi's re-emergence as a world's
truly great city.
But Delhi is not just a city subsuming the myriad facets of modernity;
it is also the city that encompasses a past stretching back to
thousands of years. One of the oldest of the world's cities, Delhi's
20,000 ruins constitute a great charm for the visiting tourists. These
are the facts that come to light from Lucy Peck's evocative book Delhi
- A Thousand Years of Building. The book takes the reader on a journey
not only across the modern landscape of the city, but also across the
mists of time, the centuries which saw the city being built brick by
brick.
In this delightfully compiled book you will find succinct descriptions
of the landmarks through which the city evolved into a metropolis it
is today. The book subsumes surprises galore. Even old city dwellers
can find information on monuments that they might never have known
existed. We tend to think of Delhi as a city of residential areas,
government buildings, markets that are always choked with traffic. In
the humdrum of life what we often forget is that this is a city
moulded across the centuries by great historical forces, forces that
have left indelible imprint in the sands of time.
Describing South Extension Part II Lucy writes, "Just to the south of
South Extension Part II is the village of Masjid Moth, built in front
of the beautiful early 16th century Moth ki Masjid. This is
undoubtedly one of the loveliest mosques in Delhi. The mosque is
entered on the eastern side through a handsome gateway decorated in
red sandstone and white marble. Steps lead up into a raised courtyard
with chatris at each corner. There are two trees and remains of graves
inside the courtyard, as well as another structure that is not aligned
with the well-preserved mosque."
Such are the detailed descriptions and nuances on different parts of
Delhi that this book brings to the reader. Lucy Peck's descriptions of
Chandni Chowk, Humanyun's tombs, etc is as exciting to read. You get
to know the histories behind the monuments, how they once were and how
they are today. In her introduction to the book the author says, "The
book is about the growth and development in Delhi. It concentrates on
the scattered remains of the earlier cities, both in terms of actual
development and, in particular, the current appearance of Delhi."
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Title - The Rise & Fall of the British Empire
Author - Lawrence James
Publisher - Abacus
Pages - 714
Price - Rupees 500
A book with as ambitious a title is expected to be a thick tome filled with pages after pages of closely typed text detailing history exhumed from portals spanning across many centuries. Lawrence James delivers solidly on that promise, his narrative of what was once world's most preeminent economic, military and social power is immensely credible, detailed and it is interesting to read as well. In just 714 pages the book gives a whirlwind ride of a rich and diverse history. Lawrence James does not lose himself into describing the minutiae of the empire's history; instead he delivers a broader perspective of how the empire developed and how it dissolved into the mists of time.
The book begins with few well-written chapters that take us back by about four centuries, into an era when Britain had started establishing its first colonies in North America. While talking about North America, James conjures an interesting perspective holding tobacco cultivation responsible for rescuing the British colony in Virginia. He writes, "Tobacco rescued Virginia and made it thrive in a manner that astonished the colonists and the government. The first tentative planting of imported South American tobacco plants had been undertaken in 1617. It was a success and began a revolution that transformed the infant colony and the British economy."
What makes the book most incisive is the plethora of small songs that Lawrence James quotes from age-old magazines, newspapers and books. These short and crisp songs go a long way in shedding light on the public opinion in those times. While talking about the Anglo-French wars fought to dominate the oceans, Lawrence James quotes lines from a 1759 song titled 'Hearts of Oak' written by David Garrick.
Come cheer up, my lads, 'tis to glory we steer,
To add something new to this wonderful year;
To honor we call you, not press you like slaves,
For who are so free as we sons of the waves?
The lines depict the fighting spirit and the sheer enthusiasm that large section of British population was in grip of in the era, which saw Britain's rise into an empire spanning many continents. With its superior navy Britain was able to undercut France and other European powers and establish its commercial hegemony across Asia and Africa. The British Empire in India is discussed in some detail. While describing British military successes in India, Lawrence also ponders on the concept of white man's burden of civilizing India by eliminating heathen practices such as sati and introduction of modern education and building institutions for democracy.
About Mahatma Gandhi, Lawrence James writes, "Gandhi's charisma was remarkable, although there were times when his humility seemed close to inverted arrogance. He was also capable of the most breathtaking humbug, as in June 1942, when he wrote that, 'Nazi power has arisen as a nemesis to punish Britain for her sins of exploitation and enslavement of the Asiatic and African races.'" It is interesting to compare and contrast The Rise and Fall of the British Empire with Niall Ferguson's Empire, an equally readable and somewhat more provocative account of British world hegemony.
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Title - The Simoqin Prophecies
Author - Samit Basu
Publisher - Penguin
Pages - 505
Price - Rupees 250
This book is full of all sorts of wacky characters - Centaurs, Centauresses, werewolf, Genie, hosts of rakshasas, Bali, Vanar Sena, Robin Hood, mowgli, S.P.Gyanasundaram, O.Veerappan! Thankfully the story is not as wacky. There is a city called Kol, whose streets are world famous. Describing the city Basu writes, '.magic carpets flew over the streets of Kol, like bees around a hive. The carpets could fly within the boundaries of the city, whenever the power of the ruby was strong enough to hold them in the air.'
In this timeless world there is a prophecy that foretells the rise of the terrible rakshas, 'Danh-Gem' and the coming of a hero who would vanquish him. The hero turns out to be a mild mannered individual called Asvin. The forces opposed to Danh-Gem take charge of Asvin and train him for the great battle that he would have to fight for saving the world. Complications arise when Danh-Gem's followers gather and attempt to raise him, but Asvin and his supporters hinder their nefarious aims. Another potent magical force called Kirin roams the land with his deadly assistant Spikes, both trying to fulfill their destinies.
Intertwined with this overall plot are any number of other characters, some completely outlandish, as the werewolf who turns into a lovely naked maiden whenever there is full moon in the sky, but does not go beyond singing songs. And then there is Jinn, who preferred to eat girls because they were prettier, softer, smelled good and fought less, but he is not heard of beyond the first scene. One gets the feeling that the useless characters, un-sequenced events, and inconsequential dialogues are meant only to showcase the author's wit. Due to his needless digressions, Basu fails to put his novel in any particular context, and like a blind man describing an elephant there is too much detail and no whole.
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Title - Xplicit Desi Vibes
Xplicit Desi Vibes is all about encapsulating a kind of music that evokes nostalgic memories of India, its landscape, its cultural ethos. Brought into being by two stimulated individuals, Vimal Patel & Prerak Patel, their work is inspired by clear cut goals of promoting the best South Asian music that today's generation has to offer. This enterprising duo has notched several successes by giving birth to an impressive array of remixed tracks that by converging the traditional and modern create a genre of music that is entirely timeless. Now Vimal and Prerak are moving forward towards promoting and producing music alongside with some of the biggest up and coming South Asian artist such as, Ranjini, Royal Wilco, Don Revo, G-Deep, and Young Pharaoh, to name a few. Their fruitful linkage with Tiru from www.desiclub.com became a driving force behind the release of the chartbusting i-Desi, in December of 2006.
With its unique hummable quality the i-Desi album has won the hearts of numerous critics. It features artists such as Sona Family, Uzazi Productions, AKY, and Rishi Rich to name a few. The international media took note of i-Desi's success when Tiru was featured on The Jump Off, on BBC Asian Radio Show, hosted by Mr. Mak and Mentor Kolektiv. From there on, Xplicit Desi Vibes also made an appearance on NiteLife Radio, the hottest South Asian radio show on the East Coast. Traveling down south to Texas, GenerAsian Radio has featured tracks produced by DJ DesiPlaya (Vimal Patel). And their recognition doesn't end here. When i-Desi, was released, the hype was also written about in Desi NJ, one of the top-most circulated South Asian magazines in New Jersey.
With as vibrant a music company, as the Xplicit Desi Vibes happens to be, the music for the soul is never meant to stop. The talented group is already working on a series of three blockbuster albums. Their most anticipated album is going to be the The Desi Movement. This album is going to feature talented artists like, Royal Wilco, Joslyn, Ar-Sin, Sir Aah, and Ajaxxx. The musical success of the Desi Vibes group is after all easy to comprehend. A group that carries India in its soul is meant to create music that can be enjoyed by all. No matter what your color, no matter what your race, no matter what your nationality, the universal language of the Desi Vibes music will strike a chord with your heart.
For more information be sure to check out their myspace page at www.myspace.com/xplicitdesivibes
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Title - The Last Mughal
Author - William Dalrymple
Publisher - Penguin
Price - Rs.550
Like James Kirkpatric, the main protagonist in his earlier book 'The White Mughals' William Darymple seems to have transmogrified himself a White Mughal. No, Dalrymple hasn't converted to Islam, adopted local dress or had as mistress the daughter of a local nobleman, but the approval that he continuously showers on all aspects of the Mughal culture makes it seem that Darymple might have preferred if the Mughals were ruling India to this day and the British had never intervened to overthrow them.
What is there to be appreciative of a Mughal Empire that was after all a regime of tyrants and was built on rivers of blood? Darymple's obsession with the Mughals is such that he never misses any chance of depicting them as chief fountainhead of the Indian culture. But what about the Hindus? The role of Hindus in Indian culture and history merits nothing more than a contemptuous silence in Darymple's books. The Mughals ruled India for less than 300 years, but to Dalrymple these 300 years stretch till eternity.
The book under review is the story of Bahadur Shah Zafar II, but it is written in a tone that makes it read like a lament for the loss of Islamic civilization in India. That is not to say that the book is not detailed and readable, which it is. Dalrymple has done a very able job of collating historical information from different sources and he succeeds in presenting a comprehensive portrayal of how Bahadur Shah Zafar II and the city he personified fared in the few months of Indian mutiny. But Dalrymple's history is mostly confined to the Islamic aspects of that pivotal period; the contribution of other communities is usually frowned upon or not discussed at all.
At one place describing the motivation of the mutineers in reaching Delhi, Dalrymple writes, "Yet in many ways Mangal Pandey was almost irrelevant to the outbreak which took place two months later in Meerut in May. Instead the Meerut insurgents headed straight to Delhi, drawn to the court of the Great Mughal, the one clear source of legitimacy recognized across Hindustan." Mangal Pandey may have been irrelevant to the mutiny, but there were many others like him who did play quite significant roles. But they did not have the aura like that of a Great Mughal and so theirs is the fate of being ignored by history.
Dalrymple observes in more than one place that Zafar presided over a composite culture in which Hindus and Muslims lived in communal amity. Zafar celebrated Hindu festivals and employed Hindi poets. But who were these Hindi poets? Dalrymple does not write about them. One poet that he writes most effusively on happens to be Ghalib. Another poet whose life is discussed in detail is of course, Zafar himself. While his empire crumbled around him Zafar dithered and wrote poetry. William Howard Russell, a times correspondent who had a chance to visit Zafar when he was in British custody, described him in his writings as, 'a dim, wandering-eyed, dreamy old man with a feeble, hanging nether lip and toothless gums, who spent his days writing poetry on the walls of his cell with a burned stick.'
It was through Zafar that India bid adieu to the Mughal empire, and one thing is for sure, whatever be their religion most Indians are not nostalgic about the Mughal Empire, just as we are not nostalgic about the subsequent British empire. The only nostalgic ones are some misguided fundamentalists and White Mughals like Dalrymple.
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Title - The Last Song of Dusk
Author - Siddharth Dhanvant Shanghvi
Publisher - Viking
Price - Rs.395
Pages - 295
Siddharth Dhanvant Shanghvi's The Last Song of Dusk is another book that reviewers, especially those in India, have been going gaga about. What for? This question has been uppermost in my mind ever since I turned the last page. Certain sections do read well, but few readable passages don't make a brilliant book? There is hardly anything in here that could merit its being labeled as the next big thing to come out of India? The story begins when the 21 years old Anuradha is leaving her native Udaipur for Bombay to marry a reputed doctor, Vardhaman.
At the time of parting her mother whispers to her, 'in this world, my darling, there is no mercy.' Though the statement primarily typifies the personal experiences of the mother, she is also counseling her daughter to remain beware of the vagaries of life. Anuradha and Vardhaman get married and they initiate their conjugal life. She sings songs, makes jolly quips about vegetable prices, learns to tolerate the idiosyncrasies of his relatives; he narrates fascinating stories, they make elegant love and their son Mohan is born. The halcyon days end abruptly and pathos creeps in when Mohan dies in a freak accident.
Anuradha, blessed with a bewitching beauty, is also a gifted singer, while the handsome Vardhaman is an excellent raconteur along with being an eminent doctor. In so many ways they present a picture of being a perfect couple, but it is their seeming perfection that makes it difficult for the reader to empathize with them. Their actions, thoughts and the lines they speak seem contrived, almost as if they were playacting for those sitcoms that we see on TV. And for that the fault must lie with Shanghvi's stilted prose, he goes over the top with his grandiloquent words and phrases. The emotions get lost in a welter of pretentious verbosity. What is Shanghvi playing for? Narcissistic infatuation with his own writing!
After Mohan's death, the narrative veers off the tangent. Unable to bear living in the house where her son had died, Anuradha goes back to Udaipur and there she meets a young girl called Nandini Hariharan, a sensuous orphan, who befriends panthers, paints people as they are, not in features but in disposition. Nandini's fascinating portrayal comes as a breath of fresh air in a story, which is otherwise chocked by gorgeous dullards of the Page 3 variety. Her interactions with Virginia Wolf and Mahatma Gandhi might be the author's feeble crack at iconoclasm, but nevertheless all the passages where Nandini is present are somewhat readable.
The Last Song of the Dusk might have turned out to be a better book if the fun-filled and enigmatic Nandini had a larger role to play, rather than Anuradha, who comes out as nothing more than a pretty face that stores a dull mind.
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Title - Babur Nama
Author - Zahir Uddin Muhammad Babur
Publisher - Penguin
Pages - 385
Babur has been an unlikely victim of the Ram Janmabhoomi Movement. There is no dearth of Indians who would like to hate him for being the despot who “might have” demolished the Ram temple at Ayodhya. But should the issue of one temple be allowed to become the sole cause celebre for an historical figure like Babar? He was the founder of the Mogul Empire of India, and so Babar is expected to have a certain degree of Muslim bigotry. There is another side to his personality; he was also a poet, an inspirational leader, and a man with a deep appreciation of beauties of nature. In fact he was the first ruler to keep record of his day-to-day activities.
The Babur Nama as Babur’s record is popularly known has innumerable chronicled instance of the young king’s involvement in diverse escapades. The book is a wonderful historical narrative containing interesting details about the mindset of a Muslim ruler who was driven by the passion of winning wars and extending his province. Dilip Hiro has done an excellent editing job. There are maps, illustrations in the form of a family tree, Islamic Calendar, a glossary of Islamic terms and a long introduction. These features make reading the book a lot easier task even for those who are not conversant with the history of that period.
With unstinting and engaging honesty, Babur talks of his early struggles, his constant setbacks, and his lifelong desire to hold Samarkand, glorious seat of his ancestor Timur (Tamerlane). For Babur, India is only the consolation prize after his failure to take the lands of his birthright; India is rich, yes, astoundingly so, but it is not sufficient compensation for the nostalgia of home. Along the way, reports of skirmishes with his enemies, and the constant betrayals of his allies, share the page with descriptions of local flora and fauna, and fascinating observations on everyday life in the cities and towns that he spends time at - and it is here that the work’s true enjoyment lies.
The historical importance of the text can be made out from the fact that Babur started writing his dairy when he was barely 12 years old and he went on writing till about three months prior to his death. The book is divided into three parts for a better understanding of the monarch’s life. The first part is devoted to his life in Fergana and Samarkand (Uzbekistan) from 14 February AD 1483 to 7 July AD1502. In the second part, his life in Kabul from 14 June AD 1504 to 12 December AD 1520 is recorded. The third part is devoted to the last phase of his life in Hindustan (India and Pakistan), from 18 October AD 1525 to 12 August AD 1530.
Interspersed in the book are his comments on subjects like history, geography, ecology, flora, fauna, sociology, and every other issue that he thought about. But there is nothing on wine or women. Being a puritan, Babur did not like his own indulgence in wine. Hence, he gave it up later in his life as an act of repentance. Babur’s descriptions of the Battle of Panipat are particularly interesting. Talking of the battle at one place he writes, “During the seven or eight days we camped in Panipat, small bands of our men used to go close up to Ibrahim Lodi’s camp, rain arrows down on his massed troops, cut off and bring in heads. Still he made no move, nor did his troops sally out.”
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Title - The 33 Strategies of
War
Author - Robert Greene
Publisher - Viking Adult
Pages - 496
Reading a typical Robert Greene
book the first thought that comes to mind is – are
human beings so cynical and so perverse that
we can only survive by mastering the art of backstabbing?
Robert Greene’s world is a typical dog-eat-dog
world, where everyone is out to get you, you
have to continuously outsmart your rivals or
you lose. Lets say that you prove yourself to
be the most cunning, and you succeed in outsmarting
all your rivals. You achieve considerable material
success and then what. Will such a success bring
you peace and happiness? It is more likely that
the constant tension ensuing from endless rivalries
will give you a bad case of ulcer and maybe even
a stroke.
In his book The 33 Strategies
of War Robert Greene is taking his cynicism
to a much higher level from his earlier
book, the best-selling 48 Laws of Power.
Robert Greene’s point of view is that
human beings can only be successful if they
incorporate war like strategies in their dealings
with each other. In other words in order to
survive we have to play a constant game of
war, a war in which our role model will be
Sun Tzu. You have to be at war with not just
your enemies, but also against the unknowing,
naive and innocent.
In usual Robert Greene style
the book takes off immediately with a chapter
boldly titled “Declare War on Your Enemies”.
But who are these enemies? Is everybody around
us a potential enemy? Greene writes, “Life
is endless battle and conflict, and you cannot
fight effectively unless you can identify your
enemies. People are subtle and evasive, disguising
their intentions, pretending to be on your side.
You need clarity. Learn to smoke out your enemies,
to spot them by the signs and patterns that reveal
hostility. Then, once you have them in your sights,
inwardly declare war.”
That is the kind of unflattering
picture of the world that the 33 Strategies of
War will paint for you. Where you are not tough
enough to fight an open battle, you will be required
to take care of your purported enemies by what
is called a Guerrilla war of the mind strategy,
where you wage a debilitating war on the heart
and minds of your enemies allowing them no static
lines of defense, making everything fluid and
mobile. But isn’t this how criminals think?
The strategies of war are best suited for someone
whose only ambition is to become mafia don or
even a dictator. An Attila the Hun would be constantly
at war with his people. He has no alternative.
The only way a dictator can survive is by heaping
on his people one form of war after another.
But most of us are not versions of Attila. The
so called 33 strategies of war are definitely
not for us.
However, that is not to say
that the book is not interesting to read. Replete
with numerous examples from history and from
the more contemporary world, it is very well
written and is quite interesting in fact. From
Alfred Hitchcock to Joan Crawford, from Napoleon
to Cortez – there are examples from the
lives of a wide range of interesting characters.
Robert Greene draws heavily from the shenanigans
and the stratagems of the rich and the famous.
If this book is used solely for entertainment
purposes you will definitely enjoy it. If you
ever try to apply these strategies at your home
or even at your office then you are in for a
bad case of ulcer.
Price - $17.13 USD
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Title - An Angel in the Cockpit
Author
- Dr. Vijaypat Singhania
Publisher - Roli
Books
Pages - 288
On August 18, 1988, Singhania took off from
Biggin Hill in England in a microlight weighing
little over 150 kgs, and with a cockpit so small
that he was forced to lose weight by 11 kgs so
that he may fit in. But even with a toned down
body it was a tight fit inside the cockpit, with
hardly any space left for maneuver. The book
gives a day-by-day breakup of his adventure that
lasted for 22 days. The first day’s flight
brings Singhania to France, from there the next
stop is Italy and then Greece, day eleven sees
him leaving Europe and flying into Egypt.
The Egyptian experience does not go down well
with Singhania and he minces no words in making
clear his disappointment – the corruption,
the red tape and the general mismanagement that
Cairo airport is mired with. He is only too relieved
when Egypt is left behind and he flies into Jordan,
where the hospitality is great and he faces no
bureaucratic hassles. Next on Singhania’s
itinerary is Saudi Arabia. He quotes from an
interesting conversation that he had with a powerful
Saudi prince. The prince wanted Singhania to
appreciate the notion that every basic necessity
in his nation was subsidized.
Singhania counters the Saudi prince with a terse
point of view. He writes, “I then explained
to him that he could not expect to build a nation
composed of people who were forever obliged to
the state, and accustomed to living on charity.
Surely, I said, it was moral character that the
state was seeking to build? Would it not be better
to help them stand on their own feet instead
of continually propping them up?” That
is something that the India’s ruling elite
need to hear- that nations cannot be built on
shoulders of beggars.
Singhania’s account of his trip through
Pakistan comes replete with a sarcastic sense
of humor. At the Pakistani airport he is asked
to pay whooping $1000 for 85 liters of aviation
gas. Singhania writes about the experience, “at
that point, I probably had a better chance of
making the Guinness Book of World Records as
the man who bought the most expensive fuel in
the world, than as the man who arduously flew
his way by microlight into its hallowed pages!”
The Pakistani part of the saga is not over with
exorbitant fuel; it flows into many more pages
filled with accounts of seedy hotels, cutthroat
pathans, and the experience of using outdoors
as toilets. Finally on day twenty-two Singhania
makes a touchdown in India and becomes the first
person in the world to fly a microlight from
England to India in only 19 days.
But a book by someone like Vijaypat Singhania
can hardly be expected not to dwell on the achievements
of his illustrious ancestors. He frequently digresses
into lengthy passages that throw some interesting
light on the history of the Singhania family.
And the angel in cockpit! Who is she? Who else
but Singhania’s granddaughter Ananya, whose
photograph he keeps in the cockpit as a token
of good luck.
Price - $37.54 USD
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Title - The Last
Juror
Author - John Grisham
Publisher - Arrow Books
Pages - 505
The time frame
of the book under
review is between 1960's and the early
1970's, and the locale
is set in semi-rustic Ford County, Mississippi.
In 1970 the main
protagonist of the novel,
Willie Traynor, joins the Ford
County Times, a weekly newspaper, with very small
circulation. The newspaper
soon bumbles into bankruptcy and Traynor ends
up purchasing the whole
setup, courtesy the $
50,000 that his grandmother Beebee loans to him. The previous
owner devoted considerable part of his time and the paper's
space in printing obituaries, while Willie continues
with the obituaries,
in effort to increase the circulation,
he also sets his eyes on catching some other
eyeball grabbing happenings.
The county is
virtually ruled by the criminal
family of Padgitt's. They carry the police
officials, and politicians in their pocket as
so many nickels and dimes. Despite being involved
in all sorts of black deeds ranging from, bootlegging,
drug running, murder, extortion, prostitution,
etc, no Padgitt has ever been arrested. But all
that changes when one of their scions, a psychopath
called Danny Padgitt, rapes and murders a young
woman.
Danny Padgitt is caught red-handed and there
is a trail. There is some scintillating courtroom
drama and the debate
between the prosecution
lawyer and the defendant
lawyer is finely presented. But it is not the efficiency
of the prosecution
that finally nails Danny. What does is the relentless
zeal of the young
newspaper proprietor and editor, Willie Traynor.
At grave risk to himself, Willie launches in
his newspaper a virtual campaign against the Padgitt
family. He stumbles through a minefield of legal
reporting and makes a name for himself as a fearless
editor.
His campaign strikes a chord with the local
population and the circulation
of Ford County Times jumps up by several notches.
Danny is found guilty but due to hung jury he
escapes death sentence and gets life instead.
However, his saga continues, as he is seen roaming
in the county
despite being under jail sentence. Then after
serving fraction of his sentence he is released
on parole. Shortly after his release, the jurors
who found him guilty start getting murdered.
The Last Juror would
have been a fascinating book had it kept itself
confined to its central theme. But there are
too many digressions, which eat into the pace
of the novel and the characterizations
appear to be shoddily done. The denouement
of Danny Padgitt comes only in the last few
pages, much of the middle
portion being devoted to issues that have little
relevance to the central
theme. It is almost as if while writing the novel the author
got confused whether he should write a social
novel or a thriller and ended up creating a hotchpotch
of both. In this rare instance John Grisham has
definitely let his fans down.
Price - $27.95 USD
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Title - Butcher
of Amritsar
Author - Nigel Collett
Publisher - Rupa
On 13 April 1919, hundreds of men
women and children gathered for a peaceful
demonstration at Jallianwala Bagh were cut
down under a hail of bullets
when General Dyer ordered his troops to fire.
As a consequence of his
barbaric act Dyer was made a hero by his British
supporters, who eulogized him as the savior of British
Empire in India. The arch ideologue of imperialism,
Rudyard Kipling, shrugged off the massacre
with a cryptic comment, 'Dyer did his duty
as he saw it.'
Yet who was Dyer, the man? Was he motivated
by racist tendencies when he ordered the massacre?
What about his family and friends? These and
many other largely unknown facts come to light
in Nigel Collett's well-researched biography,
which he aptly calls 'The Butcher of Amritsar'.
The title in many ways subsumes history's judgment
on Dyer, his whole life encapsulated in one
small phrase, 'the butcher of Amritsar.'
However, the overall picture of Dyer
that develops from the book is of anything
but a butcher.
Nigel Collett, puts his own opinion on Dyer
very succinctly in his introduction to the
book, 'it is difficult to exaggerate the effects of what
Dyer did. His deeds, and other similar, if
less drastic, acts carried out by British officers
elsewhere in the Punjab, alienated all shades of Indian
opinion…. The massacre at Jallianwala
Bagh led directly to the bitterness and bloodshed of Indian
independence and partition nearly thirty years
later.'
The book begins with Dyer's background, his
parent's circumstances and his childhood in
boarding school in Ireland. There he witnessed
a deteriorating and violent political situation
and both as a student and as a young officer
saw how rioting was best put down with a firm
hand and from this 'He drew a stark warning of the
chaos that civil weakness could let slip in'.
Moreover Dyer was a happily married man. 'He
loved his wife, Annie, and his children and
looked after them well,' the author points
out. 'He treated his sons far better than his
parents treated him.'
Born in India, Dyer was more of a
stranger to the English than he was to Indians
amongst whom he lived almost all his life.
He was a man upon whom was conferred the unheard of honor of being
made a Sikh in the Golden Temple in Amritsar.
He was an officer revered, even loved, by his
Indian troops. Yet this was a man under whose
orders firing continued for 10 to 15 minutes.
The noise in Jallianwala Bagh was a cacophony of rifle
crack, bullets thumping into flesh and walls,
ricochets screeching off the brickwork, the
screams of 25,000
people in terror and the cries of the
wounded.
Collett writes with impeccable authority and
approaches his subject dispassionately and
with academic rigor, but it comes through loud
and clear that he views Dyer's actions in Amritsar as
a notorious and shameful incident in British
military history. 'As an Englishman, I cannot
help but feel sorrow and shame at what he did,
and sadness at the huge gap that he created
between ourselves and India,' says Collett.
'His crime horrifies me even now.'
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